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                                        Artist Statement
                                                       
                     
        

       I live in the foothills of the North Cascades in WA,
       where I have been strongly influenced by the 
       ambience of the rural life. In nature I feel invisible
       things and hear beautiful sounds which I have never
       witnessed in city life.

       I have a keen interest in matters spiritualistic and
       psychological. When I photograph subjects, I try 
       to communicate their spirits and look for the
       unexpected imagery that emerges from the activity 
       of my subconscious psyche. It is the same process 
       as when I interpret the dreams – dream images are 
       to be understood symbolically; that is to say, one
       must not take them literally, but must surmise a
       hidden meaning in them.
The dream opens the way 
       to inner sympathy and  intellectual comprehension.
       Therefore, something unknown is what I always 
       want to perceive through my art.

       My “Journal” and “Story” series explore themes of
       memory, dreams, paradox and symbolism. I wish 
       to draw the viewers into my work, deliberately 
       weaving many different
narratives together. Each
       image contains some clues to the stories, but there
       is no explanation of the drama unfolding. No one
       reveals the hidden stories because this is not only
       visual but also poetry which has to be inexplicable
       allusion
. My goal is to capture special moments in 
       time and space that make one slip into a completely
       different world - images that evoke enigmatic
       emotions between real and unreal.

                                

                         
                         
Process Statement

       Many of my works are mixed media, combining
       photography and painting. Some incorporate 
       collages of small photos or scorched paper with 
       my poetry written in the Japanese language. 
       Often, my photographs are layered and blended 
       in my computer, and before or after printing the  
       images they are scratched or scribbled with 
       charcoal and colored pencils to highlight and make
       them look more distressed and unique. I coat the
       image with wax as a final process. The completed
       image feels more three-dimensional with my 
       methods, and the wax gives the image a rich,
       translucent quality and texture. Painting, 
       handwritten title or poetry, and waxing, transforms
       each work in slightly different ways, making each 
       final print an original. I also make limited editioned
       pigmen
t ink prints on paper.





        Yuko Ishii



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